Posts Tagged ‘Evan Christopher’

Whole Schools Institute, Meridian, Mississippi

Sunday, August 15th, 2010

Mississippi Teachers at Nora's Ark Workshop

What a pleasure and honor it was to work with Mississippi Teachers at the Whole Schools Institute in Meridian, Mississippi July 19, 20 and 21.   3 hours a day for 3 days we worked on the workshop version of Nora’s Ark, the jazz musical by myself and Clifford Carlson.  Some folks started out with a lot of experience such as Karen, singer and music teacher from Nora Davis Magnet School in Laurel.  But there were others who never did anything like this before.  Most hands went up at the end of the 3 days when asked, “Who feels like they could put on a jazz musical like this with their class?”  So now we can’t wait to see how things unfold.  Where will the next Mississippi production of Nora’s Ark take place?  Thanks to Sonya Robinson, my partner teaching artist.  We couldn’t have done it without you.  And thanks to the Mississippi Arts Commission.  I’m honored and thrilled to be a part of this great gathering of teachers and artists!

Evan Christopher, clarinetist from New Orleans, and I had a ball playing a duo concert in the historic Riley Center.  What a hall…look Ma…no microphones!

You Can’t Buy Swing at the White House

Tuesday, January 5th, 2010
Eli Yamin, Amy Shook, Todd Williams, Evan Christopher, LaFrae Sci

Eli Yamin Quintet on stage in the East Room, the White House. L-R- Eli Yamin, Amy Shook, Todd Williams, Evan Christopher, LaFrae Sci

I’m still pinching myself but it’s true, we played at the White House with my quintet three times over the holidays in the East Room.  When I was there for the Jazz Studio in June, I left a couple copies of my CD, You Can’t Buy Swing, for them to check out.  Sure enough, in November, I got an email, “We’ve listened to your CD and really enjoyed it…”  It was the first time multiple performers were invited to perform over the holidays and we were honored to play at three separate events including the party for the Press Corps.  We played music from “You Can’t Buy Swing,”  lots of blues and a heap of Duke Ellington.  It was amazing how well the music fit right in!

You Can\’t Buy Swing

Chicago Tribune:

The White House: Sushi and jazz

Newsweek:

Obama brings change to the White House (Christmas Party)

Eli Yamin and Evan Christopher play Sophisticated Lady at the White House
Eli Yamin and Evan Christopher perform Sophisticated Lady, by Duke Ellington, at the White House

Big thanks to Evan Christopher for coming all the way up from New Orleans.  It was a thrill to hear that deep clarinet soul and soaring joy Evan always delivers, resonating through the historic rooms of the White House.

Amy Shook, Eli Yamin, Todd Williams, LaFrae Sci, Ravi Best

Amy Shook, Eli Yamin, Todd Williams, LaFrae Sci, Ravi Best

Thanks a million to all the musicians who played with us:  Mary Ann McSweeny, Todd Williams, LaFrae Sci, Ravi Best and Amy Shook.  Your artistry, devotion and teamwork is beyond category!

Eli Yamin in "Al Green Room," the White House

Eli Yamin in "Al Green Room," the White House

May the music continue to resonate from concert halls to the halls of government, from every school to every street corner.  May the music uplift, inspire and educate people from all generations, and all backgrounds.  May we feel encouraged and supported to give our best to this great effort and see the fruits of our labors in the smiles, dances, and surges of imagination in the people we serve.

The East Wing of the White House, December 2009

The East Wing of the White House, December 2009

A Wail of Two Cities

Thursday, November 12th, 2009
Eli Yamin and Evan Christopher, photo by John Rogers

Eli Yamin and Evan Christopher, photo by John Rogers

Last week, Evan Christopher invited us to do a concert with him at the University Club in Manhattan.  It was Evan Christopher, clarinet, Ari Roland, bass, LaFrae Sci, drums and myself on piano. The concept was “A Wail of Two Cities: New Orleans to New York.”  Evan put together a distinctive, fiery and sweet program.  We had a great time with the repertoire including several old classics that were new to us.  The early music gave us a wonderful platform for deep blues, swing and great interaction and creativity.  In the middle of the set, Evan and I played a duo rendition of James P. Johnson’s “Carolina Shout.”  Took me a good while to learn all James P.’s notes.  Once I did that, Evan said, “Now keep playing that section there for improvisation.” Now that’s bringing the classics alive and I was thrilled to get on board.   Make Me a Pallet was swinging through the roof and The Mooche was a journey of great depth and diversity.  The University Club Audience was enthusiastic and on their feet by the end.  Thanks to our gracious hostess Corinne Shane and the club members.

Here’s the complete program we played:

Make Me One Pallet on Your Floor

Darktown Strutter’s Ball

Buddy Bolden’s Blues (Funky Butt) (Jelly Roll Morton)

Tropical Moon (Haitian Rhumba recorded by Bechet in 1939)

Carolina Shout (James P. Johnson)

Creole Love Call (Ellington)

The Mooche (Ellilngton)

Delta Bound (Alex Hill)