Posts Tagged ‘jazz piano’

Chillan, Chile

Friday, May 21st, 2010

Pablo Neruda's House, Santiago

Arrived in Chile last Saturday.  Had a day to visit Pablo Neruda’s house in Santiago then headed South to the area hardest hit by the Earthquake in late February.  We have been blown away by the warmth of the people down here.  Chileans LOVE the BLUES!

Eli Yamin at Municipalidad de Chillan, Our concert was the first since the earthquake. Over 400 people turned out. Hats off to the resilience of Chileans!

LaFrae Sci at Municipalidad de Chillan

Audience in Chillan at Municipalidad de Chillan

Eli after concert with piano student

Fortaleza, Brazil

Monday, May 10th, 2010

Eli Yamin plays UNIFOR, University in Fortaleza, Brazil

What a piano!  It’s amazing how the possibilities open with a fine Steinway instrument at my fingertips.  We opened the concert with our new arrangement of the spiritual, “Trouble of the World.”  After hearing this arrangement, one person observed, “Now I know where John Coltrane and those guys were coming from!”  It’s true, African American Spirituals have been a well of inspiration for generations and continue to inspire us on the Rhythm Road.

In the workshop, participants hummed call and response with Kate McGarry as she evoked lessons she learned from her great teacher/mentor, Dr. Horace Boyer.  Dr. Boyer dedicated his life to teaching the repertoire and performance practices of African American Spirituals.  The hymnal he put together is used worldwide.  It’s called Lift Every Voice and Sing and is published by The Church Pension Fund  (ISBN: 978-0-89869-194-8).

Kate McGarry evokes the memory of Dr. Horace Boyer

Once again LaFrae Sci evoked the rhythm of the blues…The shuffle is the heartbeat…

LaFrae has been documenting her experiences with us on the Rhythm Road on  LaFrae\’s Blog

Then Bob got the harmony in the mix and tapped those not playing instruments to fill in 3 parts.  Here’s a taste of how that went…

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At the workshop we were also knocked out by 17-year old Brenna on cavaquinho, a guitar like instrument, and her friend Clayuton on flute. Our hearts melted when we heard them play this sweet choro called “Receita de Samba.”

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With a sound like that, we were so happy to welcome Brenna and Clayuton to play with us at our evening concert.  It was wonderful to have them play this piece joined by LaFrae on shaker.  After that they sat in with us on “I Feel So Glad” by Hop Wilson.  Brenna sure got some bluesy chords out of her cavaquinho and Clayuton took a heck of a blues flute solo!

Clayuton, LaFrae Sci and Brenna play "Receita de Samba," in concert at UNIFOR, Fortaleza, Brazil

Bob got the audience terrifically involved in the traditional “John Henry.”

Bob Stewart insist the audience make a full sound with their "hammer."

Next we presented our new lyrics and arrangement of my composition, “Rwandan Child.”  It is dedicated to the wisdom and safety of children all over the world.  We also played our new arrangement of Billy Taylor’s classic, “I Wish I Knew How It Feels To Be Free.”  Billy Taylor is one of the pioneer jazz ambassadors and paved the way for artists like us to teach and play all over the world.  For me, this song will always pay tribute to Dr. Taylor’s great legacy of positivity, overcoming obstacles and insistence on the jazz language being spoken, understood and appreciated by people all over the U.S. and throughout the world.

Pianist/Educator/Jazz Ambassador Billy Taylor, composer of "I Wish I Knew How It Feels To Be Free"

We closed the concert with Night Time Is the Right Time, made famous by Ray Charles, and “Healing Song” by myself and Clifford Carlson.  By now we are accustomed to having audiences sing with us in both English and Portugese…

HEALING SONG by

Eli Yamin and Clifford Carlson

Portuguese translation by Edvaldo Amorim

“It’s not just a song for me
Take a breath and you will see
Why the blues has the power to be
A healing song, a healing song.”

“Não é só uma canção prá mim
Respire e você vai ver
Porque o Blues tem o poder de ser
Uma canção… que nos cura.”

One person at the workshop said, “I don’t sing, I don’t play an instrument.  But the atmosphere you created with the blues drew me in so I felt comfortable joining in.  It touched my soul!”

We could not have connected so deeply with the people of the North East of Brazil without the great expertise of Edvaldo Amorim, Cultural Affairs Specialist from the U.S. Consulate in Recife, Brazil. He served as road manager, interpreter and a host of other duties.  Thanks a million Edvaldo, we love you madly!

Edvaldo Amorim, Cultural Affairs Specialist, U.S. Consulate, Recife, Brazil

It was a fantastic first week on the Rhythm Road.  Many thanks to all our great support team at the Consulates, in Washington and at Jazz at Lincoln Center.  We look forward to new discoveries and new friends in Belem and Manaus here in Brazil and then Chile later this month.  Thanks for joining us on the Rhythm Road.  Please do reflect on what you’ve seen here.  We would love to hear what you think!

Eli Yamin with guest musicians Brenna and Clayuton

Eli Yamin and Kate McGarry in Fortaleza, Brazil

You Can’t Buy Swing at the White House

Tuesday, January 5th, 2010
Eli Yamin, Amy Shook, Todd Williams, Evan Christopher, LaFrae Sci

Eli Yamin Quintet on stage in the East Room, the White House. L-R- Eli Yamin, Amy Shook, Todd Williams, Evan Christopher, LaFrae Sci

I’m still pinching myself but it’s true, we played at the White House with my quintet three times over the holidays in the East Room.  When I was there for the Jazz Studio in June, I left a couple copies of my CD, You Can’t Buy Swing, for them to check out.  Sure enough, in November, I got an email, “We’ve listened to your CD and really enjoyed it…”  It was the first time multiple performers were invited to perform over the holidays and we were honored to play at three separate events including the party for the Press Corps.  We played music from “You Can’t Buy Swing,”  lots of blues and a heap of Duke Ellington.  It was amazing how well the music fit right in!

You Can\’t Buy Swing

Chicago Tribune:

The White House: Sushi and jazz

Newsweek:

Obama brings change to the White House (Christmas Party)

Eli Yamin and Evan Christopher play Sophisticated Lady at the White House
Eli Yamin and Evan Christopher perform Sophisticated Lady, by Duke Ellington, at the White House

Big thanks to Evan Christopher for coming all the way up from New Orleans.  It was a thrill to hear that deep clarinet soul and soaring joy Evan always delivers, resonating through the historic rooms of the White House.

Amy Shook, Eli Yamin, Todd Williams, LaFrae Sci, Ravi Best

Amy Shook, Eli Yamin, Todd Williams, LaFrae Sci, Ravi Best

Thanks a million to all the musicians who played with us:  Mary Ann McSweeny, Todd Williams, LaFrae Sci, Ravi Best and Amy Shook.  Your artistry, devotion and teamwork is beyond category!

Eli Yamin in "Al Green Room," the White House

Eli Yamin in "Al Green Room," the White House

May the music continue to resonate from concert halls to the halls of government, from every school to every street corner.  May the music uplift, inspire and educate people from all generations, and all backgrounds.  May we feel encouraged and supported to give our best to this great effort and see the fruits of our labors in the smiles, dances, and surges of imagination in the people we serve.

The East Wing of the White House, December 2009

The East Wing of the White House, December 2009

A Wail of Two Cities

Thursday, November 12th, 2009
Eli Yamin and Evan Christopher, photo by John Rogers

Eli Yamin and Evan Christopher, photo by John Rogers

Last week, Evan Christopher invited us to do a concert with him at the University Club in Manhattan.  It was Evan Christopher, clarinet, Ari Roland, bass, LaFrae Sci, drums and myself on piano. The concept was “A Wail of Two Cities: New Orleans to New York.”  Evan put together a distinctive, fiery and sweet program.  We had a great time with the repertoire including several old classics that were new to us.  The early music gave us a wonderful platform for deep blues, swing and great interaction and creativity.  In the middle of the set, Evan and I played a duo rendition of James P. Johnson’s “Carolina Shout.”  Took me a good while to learn all James P.’s notes.  Once I did that, Evan said, “Now keep playing that section there for improvisation.” Now that’s bringing the classics alive and I was thrilled to get on board.   Make Me a Pallet was swinging through the roof and The Mooche was a journey of great depth and diversity.  The University Club Audience was enthusiastic and on their feet by the end.  Thanks to our gracious hostess Corinne Shane and the club members.

Here’s the complete program we played:

Make Me One Pallet on Your Floor

Darktown Strutter’s Ball

Buddy Bolden’s Blues (Funky Butt) (Jelly Roll Morton)

Tropical Moon (Haitian Rhumba recorded by Bechet in 1939)

Carolina Shout (James P. Johnson)

Creole Love Call (Ellington)

The Mooche (Ellilngton)

Delta Bound (Alex Hill)