Abakan, Siberia

Eli Yamin Blues Band workshop in Abakan, Siberia

Dlya menya ehto ne prosto pesnya

Sdelai vdoch ee ti poymesh

Ya ee bleus vso vremya vmeste

Dushevny blues

Dushevy blues

Russian translation by Ludmila Borisova

A Healing Song by Eli Yamin and Clifford Carlson from the jazz musical “Message From Saturn”

 

 

 

We had the good fortune to visit the music school in Abakan, Siberia and get to work with many talented musicians.  Big thanks to Alex, the jazz saxophone teacher and Natalie, the vocal instructor.  What a pleasure it was to work with you and your students.  Check out young drummer, 18-year old Lena.  Her shuffle was so good in the workshop, we invited her to play the encore with us on the concert.  LaFrae picked up the harp and little sister held it down!

Thanks to Irina, Igor, Elena and all the organizers and volunteers of the Abakan International Festival.  We were so honored to take part in such a fine celebration of world culture!

Bob Stewart, deeply engaged with bass student at Abakan music school

 

 

U.S. Embassy in Moscow

Eli Yamin at Spaso House, Moscow, Russia

We returned to Moscow to perform at the Independence Day Celebration at Spaso House, where U.S. Ambassador McFaul resides with his family.  We enjoyed our conversation with the Ambassador and hearing from him first hand what it’s like to work closely with President Obama and Secretary of State Clinton.  He was incredibly generous with his time and appreciative of our contribution to the festivities where we performed the blues for over 2000 guests.

U.S. Ambassador Michael McFaul, Eli Yamin, Inyang Bassey, Bob Stewart, LaFrae Sci, Donna Norton

 

 

Visiting the sites of Moscow was dreamlike.  To be in these places that were once totally off limits to us as enemy territory felt like a milestone.  May our countries continue to develop trust and mutual cooperation.  May our friendships endure and increase.

Krasnoyarsk, Siberia

Drummer LaFrae Sci arrives in Krasnoyarsk

We arrived in Krasnoyarsk, Siberia early in the morning on July 1, drummer LaFrae Sci’s Birthday. She was the first of the band off the plane and immediately received the warmth and welcome of the local people.

When we got to the hotel, we found the International Music Festival in full swing with musicians from around the world performing across the street in the plaza.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In the evening we joined in the celebration of world culture with our offering of blues from the U.S. and had a ball.  What an honor it was for us to participate in this festival.  Big thanks to the Minister of Culture of Krasnoyarsk and the wonderful and spirited organizing of Ludmila Borisova.  The next day, we gave our concert and immediately connected with the warm-hearted people of Krasnoyarsk, Siberia.  Our concert included our blues interpretation of the Russian Folk song Volga Boatmen, which I learned as a child from listening to Paul Robeson recordings, as well as our original song, A Healing Song, with the chorus sung by everyone in Russian and English, translation by Lumila and her friend Eva.  Yes, that IS LaFrae Sci in the background playing harmonica–it’s a new highlight of our show for our “back porch” rendition of Sweet Home Chicago.  Also, check out Bob Stewart as he gave an impromtu tuba workshop to the local players who hunted him down.  You can also see Inyang in her first tour with the band owning the music.

Eli Yamin Blues Band arrives in St. Petersburg for Russia Tour 2012

Arrival in St. Petersburg alongside Secretary of State Hilary Clinton in her own plane.

 

After a long trip from NY via Amsterdam, we arrived in St. Petersburg, Russia at midnight and pulled up next to Air Force 2 with Secretary of State Hilary Clinton aboard.  With a few hours of daylight still ahead of us, we took a magical “white night” walk and saw some of the beauty of this historic city.  In the afternoon we sound checked by the Neva River and kicked off the tour by kicking off the USDABA Jazz Festival–our first-ever concert in Russia was met with great enthusiasm and participation.

The band is Bob Stewart, tuba, LaFrae Sci, drums, myself at the piano and introducing Inyang Bassey, vocal.  The tour is the culmination of the “American Seasons” program sponsored by the United States Embassy in Moscow.  The goal is to share the culture of the United States and build trust and understanding between our nations.

 

 

The Jazz Drama Program Summer Gala

Eli Yamin with Jazz Drama Program students at Celia Cruz Bronx High School of Music

In 2003 I co-founded The Jazz Drama Program to support the idea of creating new jazz musicals for kids to perform for their peers.  This work brings all the things I love together in one place–jazz, theatre and watching kids grow!  The program has had many successes over the years in 64 performances in 4 states and 2 countries including premieres of five original jazz musicals by myself and Clifford Carlson and involving literally thousands of children.  We want to keep this going and see it grow but need your help to do so.  If you are in the New York area, please consider joining us at our first ever Summer Gala Sunday, June 3  2-5pm at Urban Stages, NYC with special guest Mercedes Ellington, honoree, latin jazz pianist and arts education leader, Dr. William (Willie) Rodriguez, and a presentation of scenes and songs from our new release Holding the Torch for Liberty, about the women’s suffrage movement.  We would love to see you.  For more information about the CD, stay tuned….

Buy Tickets.

Great week at Lionel Hampton International Jazz Festival

Musicians and Cast for Jazz in the Schools-Paul Lynch, Joe Steiner, Rachael Lewis, Kyle Gemberling, Gladys Patton, Eli Yamin, Brittany Isaacson, Kyle Rustebakke, Amber, Dave Bjur

 

 

 

 

 

 

 

 

 

 

 

 

 

What a magnificent week at the 45th Annual Lionel Hampton International Jazz Festival.  It’s an amazing gathering of fans, musicians, students, volunteers and staff creating a soulful jazz village in the sparsely populated and somewhat remote region of northern Idaho.  Joy permeates the atmosphere as Lionel Hampton’s beaming face and burning mallets shine down on us from every lampost in town.  Over 6000 students travel to the festival to perform in the Kibbie Dome, attend workshops and concerts.  It was my pleasure and honor to join forces with the above crew of musicians and singer/dancers to perform in 3 area schools on Tuesday.  We opened with Hamp’s Hey-Ba-Ba-Re-Bop in an arrangement from Jazz at Lincoln Center’s forthcoming We-Bop Family CD.  Then we launched into songs and dances from The Jazz Drama Program’s forthcoming release, Holding the Torch For Liberty, about the culmination of the women’s suffrage movement with early jazz/ragtime style music by yours truly with lyrics and book by Clifford Carlson.   The story of suffrage resonated well in the schools and we picked the show up again on Friday adding 15 middle and high school students to the mix for a more fleshed out presentation culminating on Saturday in downtown Moscow’s classic Nu-Art Theatre.  In the middle, I coached 3 middle school bands including my favorite from Sitka, Alaska.  A great jazz program there.  And also, found a great young bassist from Lewiston, Idaho in Talia Howey.  The daughter of the festival’s Education Director, Dwina Howey, the fruit falls close to the tree.  These ladies swing swing swing on their respective instruments and we are all the better for it.  I also gave 2 workshops on Jazz Culture and Swing Rhythm based on my 2010 article in Chamber Music America (attached) and a workshop on Free Improvisation, heavily influenced by artistic and educational titan and Middle School Jazz Academy Master Master teacher, Warren Smith.   This material and a heap more is coming down the pike in a Middle School Jazz Academy Curriculum currently in preparation for dissemination.  I loved hanging and jamming with great colleagues at the festival including:  Sherry Luchete, Matt Wilson, Josh Nelson, Kevin Kanner, Rosana Eckert and Ben Williams.  It was an absolute knockout to hear Paquito D’ Rivera and Anat Cohen perform together with the University of Idaho Big Band as well as Roy Haynes Fountain of Youth Band–tearing it up in the huge athletic arena.  87-year old Haynes was projecting his soaring life force far and wide thrilling all generations.  The festival was closed up by the serious dance grooves of Tower of Power.  My feet were in heat! for sure.  Artistic Director of the festival is John Clayton and what a sublime vision he brings to this beacon of jazz present and future.  I can’t think of a better way to honor the drive of Lionel Hampton himself.  This is a festival built by a titan and continued by a vision.  May it continue to thrive and inspire.  Hats off to Executive Director Steven Remington and the Board of the festival.  Keep up the great work and THANK-YOU ALL.

YaminCMA Article

Roy Haynes and Matt Wilson at Lionel Hampton Jazz Festival 2012

 

 

Jazz, Drama and Young People

 

Eli Yamin Quartet in concert

http://www.jazzartassociation.org/jam/jam-2011/bulletin-2011/

It’s amazing to receive this bulletin from our trip last Spring to Montenegro with the quartet and Nora’s Ark.  What an unbelievable time that was!

And now I’m excited to be returning to Idaho on Monday for my third trip to participate in the Lionel Hampton International Jazz Festival.  It’s an amazing festival with 8,000 kids from all over the northwest and top jazz acts from all over the world.  Best thing is, I get to create with some of these kids–from the University of Idaho, and from nearby schools in workshops in Free Improvisation, Jazz Culture and Swing Rhythm and Jazz and Drama–The Jazz Drama Program on the road.  We will be doing excerpts from our new musical Holding the Torch For Liberty about the culmination of the women’s suffrage movement with original early jazz/ragtime style music. It’s going to be a hoot!!!

http://www.uidaho.edu/jazzfest

 

Jazz Drama students transform at Avatar Studios in Manhattan

Georgina in rehearsal at Celia Cruz Bronx High School of Music

 

 

Georgina recording at Avatar Studios in Manhattan

 

The Jazz Drama Program began rehearsals with students at Celia Cruz Bronx High School of Music on October 24th and continued weekly for seven weeks leading up to the recording session at Avatar on December 11.

It was amazing to watch the transformation of the students.  They went from talented youngsters to poised pros in such a short span of time.  Teacher Lisa Gwasda writes, “We all had such an amazing experience, and I thank you for choosing my students and for giving us this rare opportunity!  We are all still raving about it!  I look forward to working together in the future!!”

This is the pinnacle of why I co-founded The Jazz Drama Program….creativity, access, excellence.

I wanted jazz with all the spirit it summons, excellence it demands and community it creates available to all children.  These photos represent a great moment of triumph in this effort.

Now you can join our efforts by supporting The Jazz Drama Program, a non-profit, 501 c3 organization.  Click on the link below and thanks for supporting young people and jazz!

http://www.thejazzdramaprogram.org/support/donate/

Help us record Holding the Torch for Liberty, the jazz musical about women’s suffrage

Holding the Torch for Liberty Sextet at Avatar Studios L-R, Chris Washburne, trombone, Nicki Parrot, bass, Sara Caswell, violin, Eli Yamin, piano, Evan Christopher, clarinet, Stefan Schatz, percussion

 

 

We have launched a campaign through the website Kickstarter to raise funds to record Holding the Torch for Liberty, our jazz musical about women’s suffrage.  Please help us reach our goal by December 31.  The way Kickstarter works, if we don’t reach our goal, we don’t get any of the money.  Please help us today.  You can donate online or via sending a check.  Watch the video with WBGO Radio personality Rhonda Hamilton and spread the word.  Thanks!

http://kck.st/vz4kCH

Seventh grader Tatiana performed in Holding the Torch for Liberty.  Tatiana writes:

“I learned that in 1920 women had it tough.  If it wasn’t for their boldness, power, optimism and courage, women wouldn’t have the rights they have now. This experience has changed me by allowing me to visualize through dance and music, [sic] it helps you find your inner voice and soul, it keeps you motivated on the weekends and it teaches you to be focused and to concentrate.”

http://kck.st/vz4kCH

I grew up in Highland Park, New Jersey near the famous Crossroads Theatre. One of the few theatres in the U.S. that focuses on African American theatre artists, I reveled in the joy of the music and the depth of the drama. Slow Dance on the Killing Ground to Bubblin’ Brown Sugar had me enthralled.  Around this time, I also fell in love with jazz.  I was mystified and motivated by the swinging sounds of Basie, Duke, Billie, Abbey, Benny and Monk.  Luckily I found my way to make it my profession, first in radio at WBGO Jazz 88, then as a musician and later as an educator.  For over 25 years I’ve been fortunate to be deeply involved in jazz around the clock.  For much of this time I’ve done my best to share my love of this amazing music with people who might never have heard of it.  For some reason, in the U.S., the place that created jazz, many young people never hear these amazing sounds.  That’s why a schoolteacher named Clifford Carlson and I started The Jazz Drama Program (http://www.thejazzdramaprogram.org), a program that combines jazz and theatre to get young people immersed in the beauty, surprise and wonder of jazz.

With nine years in residence at a public school behind us, and a non-profit organization to support us, we got to make a professional recording of Nora’s Ark, the jazz musical just last year.  The music is blues, bebop and swing.  The story is right up the kid’s alley–accepting difference, working together, overcoming obstacles, singing the BLUES.  Kids love it!  And because of the CD, they are performing it in schools from Santa Fe to Tupelo.  We even had one production in Montenegro in central Europe!

Now we are recording our second musical, Holding the Torch for Liberty.  It’s about the culmination of the women’s suffrage movement with early jazz and New Orleans style music.  Great professional musicians have already laid down the instrumental tracks and now we are rehearsing young singers at Celia Cruz High School for Music in the Bronx.  I’m sure the final mix will be off the hook. We are recording on donated studio time at the top NYC studio, Avatar and Jim Anderson, Grammy award winning engineer is helping us out too.  Here’s where you come in…

We have raised over half the money, and need to raise eight thousand more to fully fund the project.  Will you please join us?  Help kids get to know jazz.  Help communities feel the magic of music and theatre with this new musical about a great American story.  The story of women fighting and winning their right to vote!

Please join us and thank-you,

Eli Yamin

P.S.  Watch the cool short video about the project featuring my longtime hero of the radio, Rhonda Hamilton from WBGO and share the link.  Thanks!

http://www.kickstarter.com/projects/jpd/holding-the-torch-for-liberty-cd-recording-project

 

 

 

 

 

 

 

JazzSpeare 2011 at Fordham Consortium on the Purpose of Business

JazzSpeare-Eli Yamin Jazz Quartet and Hudson Valley Shakespeare Company at Jazz at Lincoln Center October 2011

It was a dream come true to have the opportunity to continue an idea I first tried out over 20 years ago at Rutgers University.  “JazzSpeare” combines scenes from Shakespeare with a live, improvised and interactive score.  Here’s my quartet with Todd Williams, tenor saxophone, LaFrae Sci, drums, Mary Ann McSweeny, bass and myself on piano collaborating with actors from the Hudson Valley Shakespeare Company with Chris Edwards, Associate Artistic Director lying down,  Jason O’Connell (Knees)  Gabra Zackman (standing). The program was sponsored by The Fordham Consortium, Fordham School of Business’ convening of global leaders to discuss and explore the purpose of business.  This 2-day Fall meeting explored Business and the Arts.  It raised many important issues on collaboration, creativity, interaction, listening, responding, the inherent value of the arts and the practical value of the arts.