Manaus, Brazil

Eli Yamin Blues Band Press Conference in Manaus, Brazil

We arrived in Manaus to a press conference in the airport and what do you know, these reporters were prepared with good questions.  I’ll scan the articles when I can.  Thing is, you’ll need to read Portuguese to understand them.  We love the headline, “O JAZZ COMO PODER DE CURA.” “Jazz is able to be a cure.”

We played 2 concerts and gave 2 workshops at the ICBEU center.  We also took a boat trip into the Amazon.  What an extraordinary place!

Eli Yamin Blues Band in the Amazon

King of Amazon

We made new friends at ICBEU including Tiago and Paoula, who I invited along with a guitarist to help us teach the audience “Freight Train” by Elizabeth Cotten.  This is the song that got in my bones when I was a child, and never left.  It’s why I’m here today.  Hats off to Elizabeth Cotten.  You have literally taken me around the world!

YouTube Preview Image

Eli Yamin Blues Band at ICBEU in Manaus with Tiago and Paula

Eli Yamin and friends teach the audience "Freight Train" in Manaus, Brazil

As the concert picked up the pace, we were so knocked when our friend “Hoochie” and others started dancing…

Audience dancing in Manaus

Eli Yamin Blues Band in Manaus, Brazil

We could not have wished for a better send off from Brazil.  We sure will miss this place.  Many thanks to everyone who supported our workshops, concerts and traveling including Mercia Preto, Cultural Coordinator at ICBEU, Manaus, Conradu Blasi, Cultural Affairs Assistant and Tara Rougle, Public Affairs Officer, U.S. Embassy, Brasilia.

Eli Yamin and Mercia Preto, Cultural Coordinator ICBEU, Manaus, Brazil

Eli Yamin Blues Band with Tara Rougle, U.S. Embassy

Belem, Brazil

LaFrae Sci, Eli Yamin and Belem Blues Crew

Belem is a music town!  There are multiple symphonic orchestras and a jazz orchestra here.  We did 2 concerts and a workshop.  We got an up close introduction to the mystical world of Carimbo and visited old churches, a fort, an open air market and had killer seafood.  Seems like everywhere we go, the Fishin’ Blues makes a whole lot of sense.  Like the song says, “Many fish bite if you got good bait…

Fishing Boats in Belem, Brazil

Shrimp in market, Belem, Brazil

Belem is where the Amazon River begins…

LaFrae Sci and Eli Yamin at the mouth of the Amazon

A cultural producer Nery and his wife Rita introduced me to many artistic treasures of Belem including a historical theatre, one of the city’s symphonic orchestras and it’s director, Leonardo, who is one hell of a piano player and composer.  We had a good time jammin’ in the Salo dos Pianos…

Producer Fercy Nery and Rita, anthropologist

Orchestra of Belem rehearsing

Leonardo and Eli Yamin

Leonardo and Eli Yamin at the keyboard in Salo dos Pianos

When it came time for the workshop, we couldn’t wait to meet the musicians who would turn up.  We heard the town of Belem has a 40-piece jazz orchestra.  For sure, it was a room full of serious musicians ready to play!  There were also great enthusiasts from many backgrounds including actors, writers, singers, dancers and children.  Kate McGarry got everyone singing the blues!

YouTube Preview Image

Once everyone got that blues feeling, Bob Stewart got them playing the harmony of the blues.  Armed with the hands-on lesson from LaFrae on the shuffle and feeling the doo-dle-laa, everyone got a chance to solo.  Thanks to Jazz at Lincoln Center for providing all the kazoos!

YouTube Preview Image

Kazoo solos all around

Kazoos keep coming

Kazoos are you!

We heard from all the jazz cats too!

Belem Jazz Cats at Eli Yamin Blues Band Workshop, Belem, Brazil

Then Olivia and her crew gave us a taste of Carimbo, a traditional form of music/dance from the Belem region.  In the evening, she was in full dress…

Eli Yamin and Olivia

Carimbo warmup at Eli Yamin Blues Band Workshop

Olivia and her Carimbo ensemble

It was a magnificent time for all of us and we will forever hold Belem, Brazil close to our hearts.  Thanks to Danielle and all our friends at CCBEU for organizing the events.  Welcome Conradu Blasi from the Embassy in Brasilia and Monak from Jazz at Lincoln Center in New York.  We are so happy to have you with us and feel your great support!

Thanks to all the great musicians and artists who came out to the workshop and concerts.  We had a blast playing for you and with you and know we will be together again soon.  Keep swinging and singing the blues!

Monak Chhun and Conradu Blasi join the tour.

LaFrae Sci and young listeners

Bob Stewart and Belem jazz cats

Eli Yamin and Belem saxophonist Adriel

Visual assessment on The Eli Yamin Blues Band, "how I felt before and after the concert"

Eli Yamin gives saxophonist Netu some things to listen to...

Fortaleza, Brazil

Eli Yamin plays UNIFOR, University in Fortaleza, Brazil

What a piano!  It’s amazing how the possibilities open with a fine Steinway instrument at my fingertips.  We opened the concert with our new arrangement of the spiritual, “Trouble of the World.”  After hearing this arrangement, one person observed, “Now I know where John Coltrane and those guys were coming from!”  It’s true, African American Spirituals have been a well of inspiration for generations and continue to inspire us on the Rhythm Road.

In the workshop, participants hummed call and response with Kate McGarry as she evoked lessons she learned from her great teacher/mentor, Dr. Horace Boyer.  Dr. Boyer dedicated his life to teaching the repertoire and performance practices of African American Spirituals.  The hymnal he put together is used worldwide.  It’s called Lift Every Voice and Sing and is published by The Church Pension Fund  (ISBN: 978-0-89869-194-8).

Kate McGarry evokes the memory of Dr. Horace Boyer

Once again LaFrae Sci evoked the rhythm of the blues…The shuffle is the heartbeat…

LaFrae has been documenting her experiences with us on the Rhythm Road on  LaFrae\’s Blog

Then Bob got the harmony in the mix and tapped those not playing instruments to fill in 3 parts.  Here’s a taste of how that went…

YouTube Preview Image

At the workshop we were also knocked out by 17-year old Brenna on cavaquinho, a guitar like instrument, and her friend Clayuton on flute. Our hearts melted when we heard them play this sweet choro called “Receita de Samba.”

YouTube Preview Image

With a sound like that, we were so happy to welcome Brenna and Clayuton to play with us at our evening concert.  It was wonderful to have them play this piece joined by LaFrae on shaker.  After that they sat in with us on “I Feel So Glad” by Hop Wilson.  Brenna sure got some bluesy chords out of her cavaquinho and Clayuton took a heck of a blues flute solo!

Clayuton, LaFrae Sci and Brenna play "Receita de Samba," in concert at UNIFOR, Fortaleza, Brazil

Bob got the audience terrifically involved in the traditional “John Henry.”

Bob Stewart insist the audience make a full sound with their "hammer."

Next we presented our new lyrics and arrangement of my composition, “Rwandan Child.”  It is dedicated to the wisdom and safety of children all over the world.  We also played our new arrangement of Billy Taylor’s classic, “I Wish I Knew How It Feels To Be Free.”  Billy Taylor is one of the pioneer jazz ambassadors and paved the way for artists like us to teach and play all over the world.  For me, this song will always pay tribute to Dr. Taylor’s great legacy of positivity, overcoming obstacles and insistence on the jazz language being spoken, understood and appreciated by people all over the U.S. and throughout the world.

Pianist/Educator/Jazz Ambassador Billy Taylor, composer of "I Wish I Knew How It Feels To Be Free"

We closed the concert with Night Time Is the Right Time, made famous by Ray Charles, and “Healing Song” by myself and Clifford Carlson.  By now we are accustomed to having audiences sing with us in both English and Portugese…

HEALING SONG by

Eli Yamin and Clifford Carlson

Portuguese translation by Edvaldo Amorim

“It’s not just a song for me
Take a breath and you will see
Why the blues has the power to be
A healing song, a healing song.”

“Não é só uma canção prá mim
Respire e você vai ver
Porque o Blues tem o poder de ser
Uma canção… que nos cura.”

One person at the workshop said, “I don’t sing, I don’t play an instrument.  But the atmosphere you created with the blues drew me in so I felt comfortable joining in.  It touched my soul!”

We could not have connected so deeply with the people of the North East of Brazil without the great expertise of Edvaldo Amorim, Cultural Affairs Specialist from the U.S. Consulate in Recife, Brazil. He served as road manager, interpreter and a host of other duties.  Thanks a million Edvaldo, we love you madly!

Edvaldo Amorim, Cultural Affairs Specialist, U.S. Consulate, Recife, Brazil

It was a fantastic first week on the Rhythm Road.  Many thanks to all our great support team at the Consulates, in Washington and at Jazz at Lincoln Center.  We look forward to new discoveries and new friends in Belem and Manaus here in Brazil and then Chile later this month.  Thanks for joining us on the Rhythm Road.  Please do reflect on what you’ve seen here.  We would love to hear what you think!

Eli Yamin with guest musicians Brenna and Clayuton

Eli Yamin and Kate McGarry in Fortaleza, Brazil

American Bi-National Center

Teacher-Marivaldo, LaFrae Sci, Jorge Martins-director of Corpos Percussivos and students

Last night was an amazing experience.  We performed for students, diplomats and friends of the American Bi-National Center in Recife.  This is a place that teaches classes in English.  Of course, we saw it as the perfect opportunity to invite the Maracatou kids from Corpos Percussivos.  We were so knocked out to perform two songs with them in the concert: Billie’s Bounce by Charlie Parker and the traditional John Henry.  John Henry was through the roof.  I don’t think we’ll ever again to perform that song without the power of the Maracatou!

Drums of Maracatou

Eli Yamin Blues Band performs with Maracatou from Corpos Percussivos

Eli Yamin performs at ABA, Recife

Student from Corpos Percussivos

Student practicing with gift from drummer LaFrae Sci

Eli Yamin Blues Band and Corpos Percussivos at ABA, Recife

Sitting In

Speaking of community. At the Conservatory we learned of a benefit for a beloved bassist in the community organized by his son.  The club was packed with folks pitching in for the cause.  LaFrae and I were honored to take part and sat in with the band on “I Feel So Glad” by Hop Wilson and “Caldonia” by Louis Jordan.  Once again we got to experience how the blues is spoken in ALL languages.

Eli Yamin and LaFrae Sci sittin' in, Recife

The Blues is a healing song in all languages

At the end of the night around 1 am, we were amazed by a string of singers who came up one after another and floored us with exquisite Bossa Nova songs.

Recife Conservatory

On Tuesday, we spent the day at the Recife Conservatory which has been teaching music to generations of Brazilians for many years.  As a matter of fact, many of the current teachers were once students at the conservatory which makes the place more then a school.  It is a family.  We felt right at home.

Bob Stewart and students from Recife Conservatory

In the workshop we gave our overview of the Blues as a Healing Song.

Guiding question:  How does the blues give us a way to express deep feelings and be comforted by the rhythm and the community we are in?  How can we use both our voice and instrument to experience the deep soul and sustenance of the blues?

First we performed Sweet Home Chicago by Robert Johnson and the traditional spiritual Trouble of the World and asked the audience for observations on what they heard.  Their observations included the instruments, the feeling, the form, the improvisation and feeling of the music we had played.

Then Kate led the group in call and response blues singing…from a moan, to a hum to a shout.

This was followed by LaFrae teaching everyone the shuffle and feeling the doodle aah (see Blues Band in Romania for video on this)

Then Bob wordlessly communicated the harmonic structure of the blues.

Finally, I led a call and response improvisation with singers and instrumentalists on stage.  This climaxed in a grand performance of Night Time Is the Right Time by Roosevelt Sykes.

Then, we topped things off by teaching the words of Healing Song by myself and Clifford Carlson from the jazz musical, Message From Saturn.  We sang the chorus in English and, for the first time, in Portugese.  It was a magical moment.

In the evening we played our first full concert in Brazil and were enthusiastically received by students, teachers and the community.  What a phenomenal community of great listeners and musicians!

Eli Yamin says "clap your hands"

Bob Stewart wordlessly demonstrates blues harmony. All hands on!

Kate McGarry sings with Bob Stewart on Tuba

Eli sings at Recife Conservatory

Recife, Brazil

Eli and students from Corpos Percussivos

We arrived in Recife in the north eastern Brazil on Monday.  No sooner did we arrive then we visited the famous school of Maracatou Drumming called Corpos Percussivos.  We were instantly enthralled by the great energy in the room.  The students were fully engaged physically, mentally and emotionally in the extraordinary rhythms and spirit of the music…

Maracatou at Corpos Percussivos, Ponto De Cultura TAMBORES DO PILAR

Their teacher Marivaldo, is just 19 and what an incredible teacher he is!  So focused, demanding, expressive, in-tune and filled with love for the music and his students.

Maracatou teacher extraordinaire, Marivaldo and Eli at Corpos Percussivos

Clearly this place is a place of pilgrimage for percussionists from all over the world.  It was beautiful to see the grand patriarch Elvin Jones smiling down on what was happening…

Tuba player/educator, Bob Stewart watches students as Elvin Jones smiles from the wall...

Our drummer, LaFrae Sci, sat in with the group on drum set and soon became an integral part of what was going on…

LaFrae Sci sits in with Maracatou

We were certain this was just a beginning and thankfully our wishes came true.  More to come soon…

Nora’s Ark Recording Project

Musicians and Singers for The Nora's Ark Recording Project

Musicians and Singers for The Nora's Ark Recording Project

Last week we recorded Nora’s Ark, the jazz musical by Clifford Carlson and myself.  It was a dream come true after a 10 year journey from it’s first voyage at the Louis Armstrong Middle School in Queens, New York.  The Jazz Drama Program, the non profit I co-founded, supported the project in collaboration with the Brooklyn Youth Chorus Academy and Avatar Studios in Manhattan.  We rehearsed for 5 weeks in Brooklyn at the BYC building with great support from BYC founder/Artistic Director Dianne Berkun then culminated our work at Avatar Studios in Manhattan with great support from studio owner, Kirk Imamura and recording engineer Jim Anderson. Here are some photos from the rehearsals and recording session…rehearsal photos by Kerry Kehoe, recording session photos by Carolyn Appel…

Jake and Eli working out the verse of "Swinging on the Family Tree"

Jake and Eli working out the verse of "Swinging on the Family Tree"

Talia and Nodege join in as the bunnies...

Talia and Bolivia join in as the bunnies...

Vocal coach Charenee Wade gives pointers on the blues to Raquel, Ms. Gazelle

Vocal coach Charenee Wade gives pointers on the blues to Raquel, Ms. Gazelle

Solomon sings I See Blue with Emma and Raquel

Solomon sings I See Blue with Emma and Raquel

Enter Avatar Studios

Enter Avatar Studios

Blending and swinging.

Blending and swinging.

The composer Eli Yamin

The composer/producer Eli Yamin

The writer Clifford Carlson

The writer/associate producer Clifford Carlson

Trumpeter Mark McGowan

Trumpeter Mark McGowan

Saxophonist Chris Byars

Saxophonist Chris Byars

Drummer Stefan Schatz and bassist Pat O' Leary

Drummer Stefan Schatz and bassist Pat O' Leary

Nora's Ark Recording Singers and with Engineer Jim Anderson and Avatar Studio Owner Kirk Imamura

Lionel Hampton Jazz Festival, Workshops

The next couple of days I gave four workshops at the festival.  One on the blues,”The Blues is the Roots, Everything Else is the Fruits.”  We stomp/clapped, delved into the cultural and emotional roots of the blues, sang “Wade in the Water and the “What Gives You the Blues Blues.”  Once we got on instruments, the kids froze up a bit so  I felt the need to bust into, “Built for Comfort.”  “Some folks built like this, some folks built like that.  Don’t you holler at me baby, don’t you call me fat, ’cause I’m built for comfort.  I ain’t built for speed.  I got everything sweet mama need.   The students willingly joined in.  Then, come to find out Joe Williams widow, Gillian was in the audience.  She said, “this workshop was not what I expected but you sure did get those kids involved.  Joe didn’t take any lessons with you though.”  Thanks Gillian.  We laughed about it over a drink later.  What an oasis, the Lionel Hampton Jazz Festival…

I also taught a workshop on free improvisation inspired by my hero Warren Smith.  Middle School students including Liam pictured below from Sitka Alaska played a programmatic, freely improvised piece that told the story of a team of mountain climbers challenging an extraordinary peak.  They threw down some serious music in the process.

We had two workshops on Jazz and Drama where participants musicalized two poems, Jazz Is..by Clifford Carlson and “The Jazz Aesthetica” by Shireen Dickson.  So much creativity, joy and teamwork was unleashed.  You could feel the NuArt Theatre in downtown Moscow vibrating!

Worktime in Jazz Drama workshop

Worktime in Jazz Drama workshop

Worktime with Russell Elementary students on Jazz Drama Workshop

Worktime with Russell Elementary students on Jazz Drama Workshop

Jazz and Drama workshop songs

Jazz and Drama workshop songs

Big thanks to the students from Russell Elementary who did an amazing job at the jazz and drama workshop at the Nu-Art.  You are such a creative and energized bunch of young people and your teacher, Lisa, is a jewel!

Eli Yamin and students from Russell Elementary at Lionel Hampton Jazz Festival

Eli Yamin and students from Russell Elementary at Lionel Hampton Jazz Festival

Another big thank-you to the students and their teacher Mike, of Sitka Middle School in Alaska.  They were my demonstrators for the blues and free improvisation workshop.  Liam’s photo sums it up best.  The future of our music is in great hands!

Liam, Bluesman for the 21st Century

Liam, Bluesman for the 21st Century

Lionel Hampton Jazz Festival, Jazz in the Schools

Eli Yamin flying into a workshop at Lionel Hampton Jazz Fest.

Eli Yamin flying into a workshop at Lionel Hampton Jazz Fest.

I just flew back from the Lionel Hampton Jazz Festival in Moscow, Idaho.  What a magnificent experience! Over eight thousand music students, phenomenal volunteer and business community support, incredible artists and teachers.  I’ve never seen anything like it.  On Monday I formed a pick up band with 5 music students and alums from the University of Idaho Music School.

The next day we went into 3 different elementary schools in Pullman, Washington and Moscow, Idaho.  We were supported by a terrific crew of drivers, volunteers from the community and university.  The Magic and Mechanics of Jazz came to life with our newly minted ensemble…Eli Yamin and his Northwest-tet…

Eli Yamin and his Northwest-tet

Eli Yamin and his Northwest-tet, l-r-"Bubber" Ethan, trumpet, Tiffany "Left Foot", drums, Troy "Slim", bass, "Little Prez" Casey, tenor saxophone, Jenny "Swingmatism," trombone

First performance in Pullman, Washington

First performance in Pullman, Washington

We were blown away by the kids and their enthusiasm at Russell Elementary in Moscow…

Eli Yamin and his Northwest-tet at Russel Elementary School

Eli Yamin and his Northwest-tet at Russel Elementary School

The love and respect for music runs deep in Moscow…

Musicians at Russell School

Musicians at Russell School

Over the course of the day, the band tightened up and got closer to the earth. The groove kicked in…

Tiffany's left foot

Tiffany's left foot

Everywhere we went, children joined us on stage…

Stomp Clappin' for Hamp

Stomp Clappin' for Hamp

Our drivers danced

Our drivers danced

What a great team!

Eli, musicians and crew!

Eli, musicians and crew!